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Democratising design
Paul Vanner's
essay is linked to profiles of three architects whose radicalism and modernism
he associates with developing national and cultural self-confidence... |
Modernism and cultural identity
Erik
Asplund

The Swede Erik Gunnar Asplund (1885-1940), was a native of Stockholm.
His work progresses through a variety of styles. From 1911 until 1930
his language, in opposition to the prevailing National Romanticism, was
a "modern classicism" based on a free integration of classic and vernacular
themes, and influenced by his travels in the USA and Greece. 1930, the
year of the Stockholm Exposition, saw a transition to a personal interpretation
of the modern movement, with a strongly functionalist perspective. The
work of his last years retains a commitment to modernism, while returning
to a mode that learns from tradition and from classicism. For example,
his Woodland Crematorium (1935) makes use of columns which while modern
in design, convey classical dignity. The Lister County Courthouse (illustrated),
built between 1917 and 1921, has a theatrical feel. Each façade has a
different character, with none specifically relating to the others, nor
offering much clue to the interior within. However, the Courthouse shares
with the later Stockholm Public Library a form focused on a circular central
space wrapped around by stairs. Classicism underpins form, but classicism
admired because it represents a rational approach to form. Whether as
the leader of Scandinavian classicism, or as a modernist, Asplund is a
leading figure in the history of 20th-century design, influencing fellow
Scandinavians such as Aalto alongside European and American masters.
References
Great
buildings online
Vitruvio
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